kiwi slices
six slices of kiwi caught mid-air on a hot yellow background, with three blueberries falling past them.
for procreate, fresco, clip studio and krita
no printer, no markers, nothing to mix. import the zip, set the line art as your reference layer, and colour drop straight through the numbers. when you are done, both the numbers and the outlines switch off.
seven kits
$3.95 each, instant download, paint it as many times as you like.
six slices of kiwi caught mid-air on a hot yellow background, with three blueberries falling past them.
citrus cut in half and laid out from above: oranges, pink grapefruit, lemons and limes on a clean white table.
a painterly wash of sunset colour: gold and butter yellow burning through coral and hot pink into deep violet. no subject, no edges, just colour doing what it wants.
two grapefruit cocktails in hard summer sunlight, with rosemary sprigs, orange slices and a scatter of baby's breath.
a little cluster of woodland mushrooms on a bank of moss, shot close and low, with the forest falling away into soft green behind them.
a quiet corner of a cafe at dusk: two blond wooden chairs, a little round table, a wall of paperbacks, and a window with the blue evening street on the other side.
a capybara in close-up, side on, all warm ginger fur and long pale whiskers against soft out-of-focus sand.
five files, one zip
every outline on a see-through layer, drawn with hard edges so a colour drop fills the shape and stops dead at the line.
the numbers on their own see-through layer. switch it off when a region is done.
a real procreate palette. import it once and every colour is sitting in your colour picker, in kit order.
what it looks like painted, to work from. it also sits at the bottom of your layers, and that is the bit that lets the outlines go as well as the numbers.
a one page setup guide with a picture of the layer stack, written for someone who has never opened procreate. every tap spelled out.
five files is a shop constraint, not a style choice: etsy allows five files per listing, and these are sold as loose files. so every one of them earns its place.
the bit that matters
a colour drop fills up to the reference layer's line and never onto it, so your paint layer is missing every pixel the line covers. hide the line art on its own and you would be left with a pale hairline everywhere a line used to be.
that is why finished-art.png sits at the bottom of the stack: it already holds the right colour in exactly those places. keep it hidden while you paint, so an unpainted region still looks unpainted, then switch it on at the end. numbers off, outlines off, and what is left is a painting rather than a colouring page.
watercolour and other see-through brushes are not bound by the reference layer, so they paint over where the lines are. worth knowing before you pick a brush.
the part nothing else does
a free tracer hands you a hex code and wishes you luck. every kit here names the closest colour in four standard sets, by code and by name, on a card printed at true 1-inch squares so you can swatch your own markers right beside it.
320 alcohol markers
357 alcohol markers
150 coloured pencils
120 coloured pencils
797 of the 947 colours across those four sets rest on real hand swatches, blended from nine independent swatch sets and checked against each maker's own chart. the rest are the maker's own chart corrected by that line's measured shift. where nothing comes close, the card says no close marker match instead of pointing you at something wrong.
or bring your own picture
same layers, same palette, made from a photo you send. $10.95.
no surprises
no, and that is on purpose. everything is digital: printable PDFs for paper, or a zip of layered files for procreate. nothing ships, nothing gets lost in the post, and you can print your outline again if you ruin one.
because a free generator hands you one machine trace and wishes you luck. a kit here is eighteen outlines at four darknesses, a page per colour, the piece count and the small-piece warning in writing before you pay, and a swatch card that names the closest ohuhu, copic, prismacolor and polychromos for every colour in the kit. and a person looks at your photo first and tells you if it will not paint well.
on paper, no: print the faintest plain outline to colour on and keep the numbered one beside you as your map. on an iPad, no: the numbers are on their own layer and so are the outlines, and both switch off at the end.
Megan, a high school maths teacher who paints. one person picks the picture, sets the kit up by hand, runs it through software she wrote, and reads every page before it ships.